Why kurt cobain was a genius

Cobain did not want to be pigeonholed either. His lyrics showed he had a mind so far advanced. He wrote poetry worth the salt of the earth; he naturally joined words together to create dynamism; his art was unparalleled. Many critics hold Nirvana and Cobain in high esteem, and you can see why. Lauded and showered in praise, the band were the kings of grunge and the 90s rock scene. Shortly after Nevermind was released, Nirvana played shows and more shows.

They sold old tickets as colossal venues and had become the band many craved to see. Although the success was riveting, it had taken its toll on Cobain. He became despondent and closed himself away from his closest friends, Bassist Krist Novoselic and drummer Dave Grohl.

The stardom was too much, a light too bright. In lead singer-songwriter and guitarist Kurt Cobain had taken his own life. This news sent shock-waves through the music industry and the hearts of fans and critics.

Such a somber moment in time, such a tragic affair, it left a large hole that would never be filled. A genius who showcased a sense of vulnerability and insecurity, Cobain did not fully know how much his influence had on musicians and the public. His ability, his knack for creating those simple but engaging riffs, those heart-breaking lyrics, will always be commended even 27 years after his death. To spark a revolution through art, you must fight and scrap, you must tackle conformity and alienation.

And through their music Washington band Nirvana channelled aggression and ruthlessness, building up a sound original and conceptual. The act nullified the useless noise and implemented their style and grace upon a musical landscape that was in transition, and by doing this they started a rallying cause.

People listened to this unique and brooding sound, becoming automatically entranced, buying the merchandise, and truly immersing themselves in the aura of this sudden grunge movement. It was a phenomenal album that placed Nirvana into the limelight. This disc prompted critics to respect what this band was trying to achieve. The monumental effort was named Nevermind , a collection of songs brimming with emotion and crammed with dark undertones.

It was a compendium connected to sorrow and the trappings of melancholy too, which was a dream for the disenchanted, the disenfranchised and the people out on their luck. Not only did Nevermind drive home a source of entertainment, but it also created a worldwide craze.

When it landed, it birthed a new sound, a sound for the ages and the teenage contingent. Bleach offered a brooding sound, breakneck guitars, and obscure lyricism, but it did not hold up against the fluency of Nevermind. Nevermind subsequently blew open the glass ceiling. It was primarily grunge; it was a dark, despairing listen, but there were punk elements ticking along under its abrasiveness. Lead singer Kurt Cobain sang with verve and confidence, exuding a glow that was infectious.

Cobain conveyed pain and misfortune. He could be bitterly sarcastic or despairing. But he also had a deeply romantic streak and confidence in the excellence of his art. Goldberg joined us for a deeper dive into his varied career, including his time in the musical landscape of Seattle and grunge.

You were managing Nirvana in the midst of the whole grunge thing. Looking back, how do you think you saw grunge impact classic and established rock bands? There was a generational shift. But certainly, he was a product, psychologically, of the '80s American version of punk rock. Black Flag, Dead Kennedys, Sonic Youth, that strain of indie-rock punk, very much coincided with his high school years.

That inspired him that there was an authentic, non-polished, non-contrived lane for rock 'n' roll. A lot of the guys had obviously spent time in the gym and were showing off their pecs and things like that. It created a lot of energy for rebellion against what people would call corporate rock and corporate rock media. The radio stations certainly were the biggest influence on a lot of what the bands and labels did, because they were the prime curators of what the mass public could hear.

So, there was a pent-up appetite for a new, younger wave of rock. This always happens. They want their own thing. You know, there were some artists that were breaking through new avenues. I knew that we were part of trying to pull off a generational shift, and that there was this younger audience.

There was a younger media. You can kind of feel that something was going to break through. Fortunately, for those of us that worked for Nirvana, Nirvana was the one that then blew open the doors. After that, very quickly, Pearl Jam , Soundgarden , Soul Asylum, Alice in Chains , Hole, a bunch of other bands speaking the same cultural language, became big rock bands.

Were there any established bands you saw drawing influence musically from what was happening with grunge at the time? I mean, artists have to [forge their own path]. I think that the influence was as much cultural as it was musical.